وی اس تی صداها Yamaha SY-85


 

وی اس تی صداهای Yamaha SY-85

وی اس تی شگفت انگیز صداهای کیبورد یاماها 85 با کیفیت بسیار بالا رکورد و سمپل گیری شده از ساز واقعی که در کانتکت میتوانید از این صداها و بانک عالی بهره ببرید

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Amazing Sounds Off of YAMAHA SY-85 KEYBOARD

This kit was specifically designed for KONTAKT (.NKI)

Include:
Spoiler:
2VCOBASS.nki
70 S LEAD.nki
ANGELIC.nki
BALLAD PIANO.nki
BELLKEYS.nki
BIG GRAND.nki
CUEBASS.nki
DEEP PERC.nki
DYNALEAD.nki
EASY GO.nki
FAR AWAY.nki
FAT FIVE.nki
FAT SYNTH.nki
FLUTISH.nki
GERMAN SY.nki
HAPPY SAX.nki
LA BELLS.nki
LEAD SOUL (1).nki
LEAD SOUL.nki
LFO TOWN.nki
LONLEY EP.nki
MOD POLY.nki
MOOD EP.nki
NEW MARK.nki
NEW STRAT.nki
OCT PIANO.nki
OCTAFUNK.nki
OPENING.nki
PAD BELLS.nki
PCM BELL.nki
PIANO MIX.nki
POLY P5.nki
POP STACK.nki
POP VOICE.nki
ROCKORGAN.nki
SCREAM B3.nki
SEQ EP.nki
SKYHARP.nki
SMOOTHY.nki
SYNTH BRASS.nki
SYNTH85.nki
SYNWURLY.nki
SYPLANET.nki
TR ENSEMBLE.nki
TR MUTED ENSEMBLE.nki
TRADFUNK.nki
TUBULAR BELL.nki
VELOBASS.nki
VS THEME.nki

All samples are professional studio quality, 44.1Khz .WAV files
These sounds will work with ANY of todays most popular DAWs (Digital Audio Workstations) like: Reason, FLStudio, Logic, Pro Tools, Cubase, Cakewalk, etc. Or any hardware sampler or drum machine such as the MPC 2000xl/3000/4000, etc. that reads WAV Files

The 61st key (high) is broken, and the floppy-drive is pushed inside the shell. The 8-track sequencer is linear, unlike chaining small sequences together; you can’t change the time signature or tempo during a song. (unless manual tempo change) A “linear” sequencer requires scrolling up to the measures you’re working on. Everytime you edit, quantitize etc.. it puts you back to the beginning of the song. The wheel shaves off a little time if you’re driven, but over-all the sequencer can be somewhat slow and tedious. Also, the longer the song gets, the slower the commands are “completed!” If your song gets to be 80,90 or more measures long, it can take 5,10 or even 15 seconds of blinking “executing command!” I clinch my teeth hoping it doesn’t crash, it hasn’t yet. Patience is required for this board, but it’s worth your time. The step mode is Yamaha’s Dot-matrix breakdown of a measure. Each beat is divided into 8 spaces (32nd notes) the track buttons then become different note values. Oddly, there is no sixtupplet value in step-time mode. You have to write 32nd tripplets with 32nd trip-rests between them to write sixtupplets, although quanitizing them is allowed in real-time mode. The program change (in step mode) allows changing sounds on a track, eight times per beat! However, very fast or tight program changes reveil a slight audio glitch. The program change is a very handy feature, and once acquainted, it allows assigning literally any of the SY85’s sounds anywhere, on any track. There is a similar audio glitch, between songs in the “Song Chain” mode. The 9th rhythm pattern track is only useful if sequencing drums first. Crash cymbals being caught sploil the fun with a bleak 30-notes of polyphony. Strangely, the piano patches are just “o.k.”, but everything else sounds very impressive, best known for organic sounds; Big-Fat strings w/sizzling rosin, realistic choirs, Great brass, pipe organ, eclectic drum kits, etherial sounds, noises etc.. Rhodes patch “Roady”, authentically duplicates overtones, and even that slight distortion you get in the lower ranges of a Rhodes! And while the Mellotron patch isn’t perfect, If you play it imagining the idiosyncratic quirks of a real Mellotron, after getting drunk to old King Crimson records, you can delude yourself for fleeting moments. I’ve learned to blend tracks of Inca flutes, Co Orch (soft-brass & strings) and the “Tron” patch for a surprisingly good “In The Wake Of Poseidon” Mellotron wall

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